*** ½ (out of 4)
Anyone who’s ever been through high school knows how far some parents are willing to go to ensure their children “get the future they deserve.” But even by those standards, the main character in Graduation, the latest movie from Romanian director Cristian Mungiu, stands out for his sheer tenacity. Continue reading
** (out of 4)
WARNING: Spoilers ahead.
If there’s just one thing Danish-born director Lone Scherfig wants you to take away from Their Finest, her new movie about a (fictitious) woman named Catrin (Gemma Arterton) who scripts a “morale-boosting” film for the British public during World War II, it’s that movies, above all else, are an escape. You get a first inkling of this notion when Catrin’s screenwriting colleague, a sharp, somewhat arrogant man named Tom (Sam Clafin), abruptly bursts into a nostalgic monologue on how life, unlike film, doesn’t have “structure” or “purpose.” The events that follow – right after the two of them first kiss, he dies in front of her eyes when a large crate falls on him – only hammer the point in further. And by the end, as we see moviegoers cry in a theater and a final image of Catrin happily working at her screenwriter desk, the self-serving, Sullivan’s Travels-esque message of the story has been all but firmly implanted in your brain: life is cruel, and the world of cinema is the best way to deal with the pain.
How ironic, then, that Their Finest itself turns out to be anything but a pleasant, painkilling escape. Continue reading
*** (out of 4)
Last August, while Suicide Squad, Sausage Party, and Don’t Breathe were perched atop the North American box office, a different sort of movie fever was taking ahold of Japan. Your Name, an anime about a boy named Taki (Ryunosuke Kamiki) and a girl named Mitsuha (Mone Kamishiraishi) who find themselves suddenly “switching” bodies, opened to become the most financially successful anime film of all time, beating out established classics like Studio Ghibli’s Spirited Away and Howl’s Moving Castle. Only this past weekend has it finally made it across the Pacific to North American theaters, and its arrival has been met with fervent acclaim from American reviewers: several of them have gone so far as to declare that director Makoto Shinkai has a claim to being “the next” Hayao Miyazaki.
When you consider just how much there is to take in on the movie’s surface, it’s not hard to see why people are so ecstatic. Continue reading