Reviews of three films that were released this past June: Plus One, Leto, and Bloodroot.
Author: <span class="vcard">Andrew Emerson</span>
An introduction to New Taiwanese Cinema – specifically, the films of Edward Yang, Hou Hsiao-hsien, and Tsai Ming-liang.
(NOTE: A version of this article was published here.)
Joe Talbot’s The Last Black Man in San Francisco tells the story of Jimmie (Jimmie Fails) and Montgomery (Jonathan Majors), two black friends who live in San Francisco. Put simply, the film follows Jimmie’s attempts to reclaim a house in San Francisco’s historic Fillmore District. (For brevity’s sake, I’ll refer to this house as “the Fillmore house” for the rest of this article.) Although Jimmie and his family owned the house in the past, they were forced to move out as a result of gentrification. Despite this, however, Jimmie continues to believe that the house rightfully belongs to him, claiming that his grandfather built it “with his own hands” in the middle of the 20th century.