2015 had the as-yet rare distinction of engendering two acclaimed movies about LGBT topics. Continue reading
Image source. Copyright Universal Pictures, 2012.
By most standards of “good moviemaking,” Tom Hooper’s 2012 adaptation of the hit Broadway musical should be a total flop. The acting is uneven, the length an eyesore, and as CinemaSins has effectively pointed out, the live singing flawed. Yet you just can’t bring yourself to dislike Les Mis. Continue reading